Abdul Multhalib’s “Pelangi di Balik Bukit” (Rainbow Behind the Hill) is a captivating work that transcends the literal and dives deep into the realm of emotional expression through abstract landscapes. Completed in 1978, this oil on canvas painting embodies the essence of the Malaysian artist’s exploration of colour, form, and symbolism.
Multhalib’s artistic journey was characterized by a profound connection to his surroundings, particularly the lush landscapes and vibrant cultural tapestry of Malaysia. His paintings often reflected the interplay between nature and human experience, translating these themes into abstract compositions that evoked a sense of wonder and introspection.
“Pelangi di Balik Bukit” is a testament to Multhalib’s masterful use of colour. The canvas bursts forth with a symphony of hues – vibrant yellows, fiery oranges, deep blues, and calming greens – each shade meticulously applied to create a harmonious yet dynamic visual experience. These colours do not represent literal objects in the landscape but instead evoke emotions and sensations associated with the Malaysian countryside. The warm yellows and oranges suggest the intensity of the tropical sun, while the cool blues hint at the refreshing mist that often cloaks the hills.
The composition itself is fluid and organic, reminiscent of the rolling hills and undulating terrain that characterize Malaysia’s geography. Multhalib employs bold brushstrokes and sweeping lines to create a sense of movement and energy, suggesting the ever-changing nature of the landscape. The “rainbow” in the title is not depicted as a literal arc but rather symbolized through subtle gradations of colour blending seamlessly across the canvas.
Interpreting the Abstract:
Colour | Symbolism | Emotion |
---|---|---|
Yellow/Orange | Sun, warmth, energy | Joy, optimism, vitality |
Blue/Green | Sky, hills, water | Serenity, tranquility, reflection |
Red/Purple | Passion, mystery, transformation | Intensity, introspection, spirituality |
“Pelangi di Balik Bukit” invites viewers to engage with the artwork on a personal level. Multhalib’s intention was not to create a literal representation of the landscape but rather to evoke a sense of place and atmosphere through colour and form. The abstract nature of the work allows for individual interpretation, encouraging viewers to connect with their own memories and experiences.
Perhaps the “rainbow behind the hill” represents a hidden promise, a beacon of hope amidst the challenges of life. Or maybe it symbolizes the ephemeral beauty of nature, constantly shifting and evolving before our eyes. Whatever meaning one derives from the painting, there is no denying its power to stir emotions and spark contemplation.
Multhalib’s Place in Malaysian Art:
Abdul Multhalib (1923-1988) was a pivotal figure in the development of modern Malaysian art. His experimental approach to painting challenged traditional notions of representation, paving the way for a new generation of artists who embraced abstraction and personal expression. “Pelangi di Balik Bukit” exemplifies his innovative spirit and unwavering commitment to exploring the boundless possibilities of art.
This masterpiece continues to captivate audiences with its vibrant colours, evocative imagery, and timeless themes. It serves as a powerful reminder of the interconnectedness between nature, culture, and the human spirit.
Beyond the Canvas:
Exploring Multhalib’s other works reveals a consistent fascination with colour and form, often employing geometric shapes and bold contrasts to create dynamic compositions. He also experimented with different mediums, including watercolours, ink drawings, and sculptures.
Multhalib’s legacy extends beyond his individual artistic achievements. He was a dedicated mentor who nurtured the talents of countless aspiring artists, shaping the future of Malaysian art for generations to come.
“Pelangi di Balik Bukit” stands as a testament to Multhalib’s enduring influence and serves as a gateway into the rich and multifaceted world of Malaysian contemporary art.